Video of "Christmas Leads Us Home" performance

Here is a video from the First Baptist Church in Danville, Georgia of the church's performance of my script "Christmas Leads Us Home" using the unique no-lines-to-learn "Play/Act" soundtrack. (Get the script and soundtrack here.)

Here's the link to it on Youtube.com.

New Christmas Script! "Stormy Night, Holy Night"

Here's a new 18-minute "No Lines To Learn" Christmas script with soundtrack... and it only takes TWO people to perform! A father and teen daughter take refuge in their basement from a coming storm. The storm building in the young girl's mind and heart, stemming from the loss of her mother over a year ago, coincides with the tornado that hits the town. Featuring another powerful song written and sung by songwriter Archie Jordan, this easy-to-do mini-play is full of drama and has a touching end that will move you. Read the script description here, and order the soundtrack that has all the narration, professional sound effects and music! (This short play is part of the longer play "Assignment: Comfort And Joy!" It has been isolated to be performed by itself here.)

Here's the link to get the script and soundtrack for yourself!

15-Minute "No Lines To Learn" Mini Christmas Play!

If you are looking for something very short to do for your Christmas service, this is the mini-play for you! Performed to a narrated soundtrack, so there are no lines to learn, this 15 minute script takes only 4 people to perform... two major and two minor parts.

 It's called "The Junk Man's Christmas Dinner" and it is adapted from the longer play "Assignment: Comfort and Joy." Isolated and slightly re-written with a different ending to stand alone, the script is for those needing something short, easy-to-do and moving!

A hermit that lives in a junkyard is feeling down on Christmas Eve, praying for more to eat than what he has, a can of vienna sausages and crackers. An unexpected visitor who is worse off than he is helps him to learn that giving what you can is the path to blessing. Get the script here, and soundtrack that has all the narration, sound effects and music!

This would fit in wonderfully with other elements of a special Christmas service;  let this be the "adult" contribution, with your kids doing another of our short narrated skits like "The Great Church Robbery" or another script you have ready for them. Have some Christmas songs or music before, in the middle between the adult and children's plays and after, and you have a well-rounded presentation that all ages will enjoy! 

"Prohibiting Prayer: The Daniel Decree" Father's Day script

A new play, in the "No Lines to Learn" format, has been released! Entitled "Prohibiting Prayer: The Daniel Decree," the script is a unique retelling of the story of Daniel and the Lion's Den from a new perspective. All the narration, powerful background music and sound effects are supplied on the soundtrack.

The Chief Scribe to King Darius, responsible for chronicling events in the kingdom, tells the story that he and his son witness and became participants in. Seeing Daniel's dedication and deliverance, both he and his son learn that they can trust Daniel's God like he does.

Length of play with soundtrack: approximately 35 minutes. PERFECT for Father's Day!!!

June 15th, 2014 is Father's Day. This would make a good play to use, since the king's scribe is training his son, and together they learn to have faith in Daniel's God after being witness to the miracle of his protection while in the den of lions.

Here is the link:
http://christianskitscripts.com/wp/prohibiting-prayer-the-daniel-decree/

New 15 MINUTE Christmas play with NO LINES TO LEARN!

If you are looking for something very short to do for your Christmas service, this is the mini-play for you! Performed to a narrated soundtrack, so there are no lines to learn, this 15 minute script takes only 4 people to perform... two major and two minor parts.

 It's called "The Junk Man's Christmas Dinner" and it is adapted from the longer play "Assignment: Comfort and Joy." Isolated and slightly re-written with a different ending to stand alone, the script is for those needing something short, easy-to-do and moving!

A hermit that lives in a junkyard is feeling down on Christmas Eve, praying for more to eat than what he has, a can of vienna sausages and crackers. An unexpected visitor who is worse off than he is helps him to learn that giving what you can is the path to blessing. Get the script here and soundtrack that has all the narration, sound effects and music!

New Christmas Play with No Lines To Learn: "Christmas Leads Us Home"

Many asked for it... now they've got it! Here's a new script in our unique "Play/Act" no-lines-to-learn narrated format. This script, titled "Christmas Leads Us Home" (approximately 50 minutes) deals with a mother's difficult relationship with a wayward daughter, as well as her fears for the soul of a son in the military. A flashback to a family Christmas party from 20 years before is framed by a current-day drama in the nursing home where the mother is staying. A powerful play that will touch everyone, which includes the Nativity story, and the later visit by the Wise Men, as well as a place for the kids to sing live! The soundtrack supplies all the narration, sound effects, and background music. Get the script and CD here!

This script is like a number of our other Christmas plays, in that there are no lines to learn, you play the CD as you perform. This unique format has proven incredibly popular with our visitors, so check out the other scripts in this format on our site, www.ChristianSkitScripts.com. 

New Play For Father's Day!

A new play, in the "No Lines to Learn" format, has been released! Entitled "Prohibiting Prayer: The Daniel Decree," the script is a unique retelling of the story of Daniel and the Lion's Den from a new perspective. All the narration, powerful background music and sound effects are supplied on the soundtrack.

The Chief Scribe to King Darius, responsible for chronicling events in the kingdom, tells the story that he and his son witness and became participants in. Seeing Daniel's dedication and deliverance, both he and his son learn that they can trust Daniel's God like he does.

Length of play with soundtrack: approximately 35 minutes. PERFECT for Father's Day!!!

June 15th, 2014 is Father's Day. This would make a good play to use, since the king's scribe is training his son, and together they learn to have faith in Daniel's God after being witness to the miracle of his protection while in the den of lions.

Here is the link:
http://christianskitscripts.com/wp/prohibiting-prayer-the-daniel-decree/

Script for Easter with No Lines To Learn!

Like my most popular Christmas plays, this has NO lines to learn! Written for Easter, but good for Mother's Day or anytime, this easy-to-do 52-minute script with narrative soundtrack presents a powerful message about Jesus' obedience to His Father, and His atoning sacrifice, in the form of a dream of a young man on the verge of an important decision. His believing mother's prayers for her son result in a life-changing experience that will touch your audience!

Click here to preview the script and listen to an audio preview of the soundtrack!

While I do have some plays on the site that can be used for Easter, such as "Jerusalem's Most Wanted," and several others, I have never written one specifically focusing on the events of the cross. There are many plays out there that recount the events of Good Friday and Easter in very accurate ways, and many churches do the traditional re-enactments. What could I do that would add to that? I wanted to do one that was like some of my others, in our unique "Play/Act" format, which has all the narration, music and sound effects on the soundtrack CD, meaning that there were no lines to learn. These kind on our site are very popular for Christmas... but writing one for Easter was problematic. The Nativity is much easier to depict than the crucifixion. Many smaller churches have less people and room on stage than is needed for a large-scale production of the events of the cross, which can be difficult to pull off.

This means that if I did do a narrated CD for the events, that many smaller churches would not be able to do it. If they could do an Easter play portraying the events, chances are they have already done so or are planning on it, and another script would not be needed. I struggled with a way to do a meaningful and moving play based on Easter events that could be done by smaller churches as well, with the CD making it easier to learn. After much thought and prayer, I believe I have come up with a workable yet dramatic idea that revolves around the action surrounding the Lord's suffering and triumph, that allows for a narrated soundtrack, and a smaller cast and stage. This is done by having the audience see only the reactions of the main character, as he witnesses several parts of the Biblical events. We, as the audience, only hear the sounds of the scourging and crucifixion, as the young man sees it happening in front of him, looking toward the audience.

The scenes he sees are brought to life by the narration, music and effects, and we see the impact it has on him and the Biblical characters with him as they watch, the action they see "offstage" in the direction of the audience watching them. Make sense? What they are seeing is happening in the direction of the audience, so the audience sees up close the character's reactions to it. The soundtrack will make it sound real, and it will be brought to life in their imaginations. The story is more about the impact the events have on the young man, than an actual re-enactment on stage.

Oh, by the way, the present-day part of the play itself will not refer to any particular time-period that it takes place during. Although the scenes in the dream are from the events of the crucifixion, the play can be done any time, not only at Easter, and would work equally well as a Mother's Day drama, since the mother's prayers are primarily responsible for the conviction the son experiences. It will also speak to sons and daughters of praying mothers. So, it could work equally well for Easter, Mother's Day or any time!

Update: performance reports are starting to come in! Here is the first...
Hello, Fred,


"The Legacy" was very well received! Our elderly esp. appreciated it because they could hear every word. Also, a retired minister, who is going blind, called to tell me how much he appreciated the drama. I know there were unsaved people in attendance, so I know seeds were planted. I was able to get people to act who were really out of their comfort zone. It was such a great time with people coming together to present God's salvation story. I didn't know at the beginning how this was all going to come together, but I trusted God that he would make it happen. The "no lines" format worked beautifully!

Fred, if you have time, go to our church website, http://www.bunkertownchurch.org. Click on the photo gallery, and you will be able to see a slide show.  The soundtrack was fantastic! God sure did bless you with "The Voice". I hope we can work with you again in the future. Thanks again for a wonderful, wonderful drama!

Blessings to you,
-Hannah

You can view many photos of the presentation here.

New Easter Script: "The Legacy"

Like my most popular Christmas plays, this has NO lines to learn! Written for Easter, but good for Mother's Day or anytime, this easy-to-do 52-minute script with narrative soundtrack presents a powerful message about Jesus' obedience to His Father, and His atoning sacrifice, in the form of a dream of a young man on the verge of an important decision. His believing mother's prayers for her son result in a life-changing experience that will touch your audience!

Click here to read the script and listen to an audio preview of the soundtrack; OR, click here to read a shorter story outline, so you will know if you like it before reading the whole thing.

While I do have some plays on the site that can be used for Easter, such as "Jerusalem's Most Wanted," and several others, I have never written one specifically focusing on the events of the cross. There are many plays out there that recount the events of Good Friday and Easter in very accurate ways, and many churches do the traditional re-enactments. What could I do that would add to that? I wanted to do one that was like some of my others, in our unique "Play/Act" format, which has all the narration, music and sound effects on the soundtrack CD, meaning that there were no lines to learn. These kind on our site are very popular for Christmas... but writing one for Easter was problematic. The Nativity is much easier to depict than the crucifixion. Many smaller churches have less people and room on stage than is needed for a large-scale production of the events of the cross, which can be difficult to pull off.

This means that if I did do a narrated CD for the events, that many smaller churches would not be able to do it. If they could do an Easter play portraying the events, chances are they have already done so or are planning on it, and another script would not be needed. I struggled with a way to do a meaningful and moving play based on Easter events that could be done by smaller churches as well, with the CD making it easier to learn. After much thought and prayer, I believe I have come up with a workable yet dramatic idea that revolves around the action surrounding the Lord's suffering and triumph, that allows for a narrated soundtrack, and a smaller cast and stage. This is done by having the audience see only the reactions of the main character, as he witnesses several parts of the Biblical events. We, as the audience, only hear the sounds of the scourging and crucifixion, as the young man sees it happening in front of him, looking toward the audience.

The scenes he sees are brought to life by the narration, music and effects, and we see the impact it has on him and the Biblical characters with him as they watch, the action they see "offstage" in the direction of the audience watching them. Make sense? What they are seeing is happening in the direction of the audience, so the audience sees up close the character's reactions to it. The soundtrack will make it sound real, and it will be brought to life in their imaginations. The story is more about the impact the events have on the young man, than an actual re-enactment on stage.

Oh, by the way, the present-day part of the play itself will not refer to any particular time-period that it takes place during. Although the scenes in the dream are from the events of the crucifixion, the play can be done any time, not only at Easter, and would work equally well as a Mother's Day drama, since the mother's prayers are primarily responsible for the conviction the son experiences. It will also speak to sons and daughters of praying mothers. So, it could work equally well for Easter, Mother's Day or any time!